My genius idea for a House reboot

My idea for a House reboot is actually just House, but every character (except the patient of the week) is literally House. It’s never explained why the different copies of House exist, or why they have to take on different roles on the team or in the hospital, or why one copy of House would agree to take orders from another. They just do. Also, the patient of the week never comments on the fact that he or she has entered a strange reality where every other human being except him or herself is Hugh Laurie. They just have, okay? Even the patient of the week’s significant other is another copy of House.

Because of the new format, there are obviously no annoying attempts by every character to “diagnose” the personality quirks of every other character, because everyone is House, and House knows what makes House tick, so what’s the point? The show is one-third House playing pranks on other versions of himself, one-third him dealing with the patient of the week, and one-third clinic hours.

A hockey team full of Wilsons can guest star, sometimes.

Your first conference presentation

It’s sort of like when you go up to the big kids’ diving board for the first time because, hey, every kid has to do it eventually, and you know it’s not really that bad, but then you look down at the water way, way down below and oh! this was a terrible idea, the worst idea you’ve ever had. When you asked permission to do it, you didn’t think there was any chance they’d actually say yes. Why would they say yes?

Also, there are a bunch of strangers look at you, what could they be thinking? They’re wondering what’s up with the weird kid on the diving board. Why’s he shuffling his feet like that? God, just look at his bathing suit. Did he really think that was an appropriate bathing suit for the big kids’ diving board?

The Pomodoro Technique

I’ve recently found the Pomodoro technique pretty useful for increasing my studying/reading productivity, with regards to my studying for my comps.

Basically, you work for 25 minutes, take a 5 minute break, then repeat the cycle. After four of these, you take a longer break. You use a basic kitchen timer (or some computer equivalent) set to 25 minutes and let it countdown. You don’t interrupt a given 25 minute cycle. If you absolutely have to do this, you abandon the cycle entirely. Sometimes this happens, obviously, but the point is you only do it when you really have to, because if you aren’t strict then the Pomodoro technique becomes pretty pointless pretty quickly.

From Wikipedia’s entry on the Pomodoro Technique:

There are five basic steps to implementing the technique:

1.    decide on the task to be done
2.    set the pomodoro (timer) to 25 minutes
3.    work on the task until the timer rings; record with an x
4.    take a short break (5 minutes)
5.    every four “pomodoros” take a longer break (15–20 minutes)

Wikipedia has a bunch of information and a link to a free PDF explaining it, but honestly the above five steps tell you everything you need to know. Anything else is really superfluous and betrays the simplicity of it. I don’t even write anything down.

The Apple app store has a few timers that are specifically designed for the Pomodoro technique (you can tell because they look like tomatoes, which is where the “pomodoro” name comes from), but they cost money, sometimes because they come with features you don’t need. I like Focus Booster, because it’s free. It comes with no frills, but, like, that’s the point of the Pomodoro technique. With Focus Booster you can’t interrupt a given 25 minute without just starting over. If you download it, you’ll see that the standard countdown is already set for 25/5, so it’s obviously got the Pomodoro technique in mind.

Anyways, my point is I’ve found it effective. I reserve the five minute windows to refill my glass of Fresca, go to the washroom, and to quickly check a few forum posts. It’s a good way to stay refreshed for long bouts of studying.

Herp Derp Youtube Comments

Herp Derp” is a good extension.

Here’s a visual which I shamelessly stole from the Herp Derp website:

The extension is useful, obviously, because YouTube comments are just all-around terrible, but more importantly, it prevents spoilers, like if you want to watch all those Game of Thrones info things (example) for the TV show, without worrying about getting spoiled by jerk YouTube commenters who somehow managed make it through one whole book (or read the summary on the books series wiki).

Stargate SG-1: It’s a sitcom

I’ve been binging through Stargate SG-1 recently, and my theory is that the show is secretly a sitcom.

The sci-fi ideas in the show are not that innovative; some of the plot lines are quite bad; the effects are definitely not anything to write home about; the villains are just plain silly. But (but!) the show is occasionally very self-aware, and at the end of the day, you’re really just hanging out with some cool, amiable dudes explorin’ other planets (i.e., the forest just outside Vancouver). That’s it. That’s the heart of the show.

Do you want to watch Richard Dean Anderson chill out with his friends? Sure you do. The very best episodes are just O’Neill and the recurring character, Maybourne, going on wacky adventures around town, riffin’ on each other. There aren’t any stakes, no real danger. Oh, sure, Maybourne says he does lots of *bad stuff* and kind of hints towards some of the secret organizations he’s involved with, and for most episodes there is some lip-service paid to the end of the world or the threat of the Goa’uld or something, but we don’t really care. O’Neill and Maybourne might as well be trying to get to White Castle, since no one actually cares about whatever random MacGuffin they’re supposedly looking for (random ancient Egyptian artifact #56), and we don’t actually believe the earth is about to be invaded or destroyed in the middle of the season. (I should add, though, that we’re at a point now in television where I could imagine a show that would be able to make me believe this, which is pretty awesome, when you think about it.)

Mostly, it’s not O’Neill and Maybourne, unfortunately, but O’Neill and the rest of the SG-1 team: Carter, Daniel Jackson, and Teal’c. But the structure of the show is the same, and we watch for the same reasons. Sometimes the show tries to get serious for an episode, and sometimes it does indeed aim to pull on the heart strings. And it’s not always unsuccessful. But it earns those moments (when it does earn them) only via a bunch of episodes of banter between some friends that we learn to care about.

I haven’t watched Stargate: Atlantis of Stargate: Universe, and I’m debating whether to bother. I’ve heard that SGU gets a bit dark, relative to the rest of the franchise, but that it actually finds its own feet and gets pretty good in its second season, only to be cancelled. So, uh, I dunno.

Some audiobooks and other audio stuff

Simon Prebble’s reading of Susanna Clarke’s Jonathan Strange & Mr Norrell is quite good. I’ve been listening to it on my runs and while I’m doing mindless tasks like making dinner or cleaning.

The Literary Theory course by Paul Fry from Yale (on iTunesU) is also enjoyable. I’ve been listening to undergraduate literature courses and it’s actually quite pleasant. Half the time you’re sorta nodding and thinking, “Yep, yep, mm hm, that’s definitely a thing that’s true,” and the other half you’re sorta thinking, “Oh yeah, I guess that’s also true. Neat.”

Speaking of undergraduate courses, Tim Morton has put up a bunch of them on his blog. There are also some of his courses available on iTunesU. I turned the courses on his blog into iTunes playlists and set the options for each mp3 to “remember playback position,” which accomplishes pretty much the same thing as iTunesU or turning them into an audiobook.

Listening to literature courses is a lot easier to justify than listening to books about magic in regency England, but, like, whatever, man. Reading Susanna Clarke makes me want to read Ursula K Le Guin. I haven’t read her since grade 5 (or 6?), but now I sorta get the idea of magic as a metaphor for all the weird things that language does, and I want to think about that some more.

I also listened to 1Q84 by Haruki Murakami recently, but I didn’t really like it. I thought both the story and the (quite dramatized) readings were a bit overwrought. There are several scenes where a character cries, and cries and cries and cries, or she weeps, she wept for this, and she wept for that, she wept for all the blah blah blah, and all I can think is, gee, it’s nice that this character is going through this huge emotional catharsis, but, well, I’m just not feeling anything. I’ve felt much more powerful emotions from reading J.D. Salinger short stories where everything is very understated. (“A Girl I Knew” is still my favourite short story, ever. It’s too bad that it is now pretty hard to find.)

The only other Murakami I’ve read is What I Talk About When I Talk About Running, which is non-fiction, and I thought was much better. Every review of 1Q84 I’ve seen also seems to indicate that 1Q84 isn’t as good as Murakami’s other stuff, so I’m not going to write him off.

However, I’m running out of credits on Audible so I don’t know what I’m going to listen to next. I have to make it count.

Traffic Sources

I just looked at my analytics and it looks like about 60% of people who come to this blog do so after searching for things like “blondie recipe” or “Reese’s cheesecake recipe.”

For all those people, I hope you like the recipes, and I apologize for all the weird other stuff (jokes, boring academic stuff, whatever), which, as far as I can tell, doesn’t usually accompany a bunch of blog posts with baking recipes.

I haven’t posted a recipe in like a year and a half or something (I’m lazy and never try baking anything new anymore. This is also because I just like tonnes of sugar and have completely unrefined taste buds), but look at the tag cloud:

For those of you reading from the future, if my actual tag cloud looks much different–and I actually hope that it will–the above screenshot is from today, 2 April 2012.

Writing and Studying, Writing to Study

Jay Dolmage’s (relatively) recent blog post about Learning by Writing seemed to me quite on the mark, especially with regards to some of ways in which I’ve been toying around with my own study habits.

I’m studying for my reading exams right now, and I’ve been finding it more and more helpful, for study purposes, to just write finished products of some sort. By “finished product” I basically mean “mini essay,” or really, “just about anything that is coherent and organized around something.” It doesn’t matter if a given finished product won’t ever see the light of day, but the act of writing—i.e., having to formulate your thoughts coherently and logically, putting those thoughts to paper or screen, and then reading back those thoughts to yourself—is obviously going to force your mind to organize and re-organize itself.

I recently came upon the term “Commonplace book” (Wikipedia link) and I think that’s probably about the best term to describe the method I’ve been using (or trying to use). Instead of using physical books like a Moleskin or something, I’ve been using an app called Scrivener. Scrivener is a word processor app that is excellent for organizing your writing if you intend to keep it in a traditional format (linear, mostly text-based one, etc.).

The app is designed for fiction writing, but it’s useful for any type of lengthy writing in which order and structure matter, but you’re not necessarily writing it start to finish or beginning to end. Sometimes it’s useful or easier to start in the middle. Scrivener lets you visualize your text as a whole, and move around sections of it in any way you see fit. You can have sections and subsections, and you can view the sections as nested folders or as index cards. This makes it easy to rearrange things after you’ve put your thoughts to the screen and you begin to start identifying possible structures or patterns.

That said, if you want fancy highlighting and formatting, bullet points or lots of visual play, it’s… not so good. In other words, it’s not very good for rough notes if you’re a visually inclined person who uses lots of colours and diagrams.

But this is actually a good thing. Well, for my purposes, at least. It forces me to take my rough notes in Microsoft Word, where I can play around with all sorts of fancy formatting. I can highlight things, add text boxes here and there, add arrows or shapes, and place things in weird visual relations to each other to help me understand difficult concepts. If I really need the extra freedom, I’ll sketch something on a piece of paper, take a photo of that, and then just stick the image into the Word document – a bit messy, granted, but it works. They’re just rough notes, after all.

Scrivener, then, becomes something of a “stage two” thing. (I originally started this paragraph by writing, “Scrivener, then, is for completed thoughts only,” but that’s not quite accurate.) I only use Scrivener after I’ve taken my initial notes. Admittedly, I didn’t always do this at first, so now I have a few notes that are a bit of a mess. My notes for Jameson’s The Political Unconscious are all over the place right now. The trick, for my use of Scrivener, is to argue something, or explain something in my own words and my own metaphors, even if it’s all pretty basic. And that means the trick is to just start writing.

An example of something I wrote this morning links Mikhail Bakhtin’s discussion of the co-existence of discourses in the novel form with Roman Jakobson’s discussion of the co-existence of styles from different time periods (modern vs. archaic, etc.) in a synchronic verbal system. I’m probably never going to show this to anyone or anything like that, because it isn’t really all that insightful – I’m just pointing out pretty obvious links between some stuff I happened to read. Maybe I’ll come back to what I’ve written in a few months or years. I don’t know. I am hoping that in a few months I’ll have a pretty decent body of arguments that I can use for something. But what I’m really doing, as I’m writing these random things, is formulating and organizing various possible arguments that I will be able to at least partially reproduce later for my discourse and text analysis field exam.

Another advantage to this is I’ve found that I can actually speed up my overall exam reading speed if I take less rough notes in Microsoft Word, take a few more notes in the margins my books (admittedly this is harder to do if it’s a library book), and then immediately after I finish a reading I construct a few coherent paragraphs about what I just read and how it relates to various other things I’ve just read. In other words I write a mini-essay or two. Sometimes the mini-essay stands on its own, other times I try to slot it in somewhere, in relation to something else I’ve written.

This method forces me to be a bit more mentally disciplined while I’m reading. If I just take notes, it can be easy to jot things down without really understanding what I’ve written. It’s pretty easy, mentally, to identify an important concept in a text, identify where that concept is defined, and then basically write out the text’s own definition of the concept in my notes without fully understanding it. It’s pretty much impossible to use a concept I don’t fully understand in a mini-essay of some sort, or to explain the concept from a weird angle using my own metaphor if I don’t yet understand it.

I’m still debating how I’m going to use some of these in the future, since I am hoping that at some point they’ll be of use. Some of the things I write are just pure explanation and explication, but sometimes I’ll think, “Oh! This concept relates to this other thing that I actually want to write more about!” and so the written produce I then produce is actually (to my mind) worth keeping and integrating and eventually showing someone. But right now these snippets remain fairly unorganized.

Drive (2011)

I liked this movie. (Maybe from now on I’ll just post “hey, here’s a thing I liked.” Huzzah for low-content posts.)

This was my favourite exchange:

The Driver (Ryan Gosling) and Benicio (Kaden Leos) are watching cartoons while Irene (Carey Mulligan) gets ready.

The Driver:  Is he a bad guy?

Benicio: Yeah.

The Driver: How can you tell?

Benicio: Cuz. He… he’s a shark.

The Driver: There’s no good sharks?

Benicio: No. I mean, just look at him. Does he look like a good guy to you?

(The Driver doesn’t respond.)

Roger Ebert’s review of the movie has a pretty nice final line that sums things up well: “‘Drive’ looks like one kind of movie in the ads, and it is that kind of movie. It is also a rebuke to most of the movies it looks like. “